How
to make a Purchase
 Sosakete,
also
known as Roger Perkins, is of the Mohawk
Nation Bear Clan and has been working with clay since 1994
to revive the tradition of Iroquois pottery as it was made and
used prior to the introduction of Dutch trade pottery in the 1660s.
He has won numerous awards for his pottery including First
Place in the traditional category at the Eiteljorg Indian Market.
In 1990, Sosakete studied the traditional pottery techniques of
the Hopi under the teaching of acclaimed Hopi potter, Preston
Dwyaney. For a complete biography
of Sosakete, please click here.
The
pot above measures 8.5 inches tall by 6 inches wide. It is traditionally
incised with patterns and bears the smoke clouds of outdoor firing
using hard woods. For those who collect the authentic pottery
of North American Native American peoples, these creations by
this dedicated Mohawk potter are essential to expand the cultural
spectrum of a museum class collection.Your
price $495 ~ Item #MP243. Please
click here to see an enlargement. SOLD
Sosakete's
work is widely collected as authentic Mohawk pottery created in
the historically traditional way. The clay for his pottery is
gathered and processed by hand within the Akwesasne territory
which lies under the borders of Ontario, Quebec, and New York
state. It is handcoiled or pinched and pit fired - no wheel
or machinery is used to create or fire his work - it is authentically
created as it would have been 400 years ago. These are very important
distinctions to be made from other "Mohawk Revival"
pottery which involves the use modern, commercial glazes and electric
kilns.
 The
pot at left measures 8.5 inches tall by 6.5 inches wide with a
beautiful, graceful shape and incising.
Your price $495 ~ Item #MP244.
SOLD
Sosakete's work is in several permanent
collections including the Governor's Collection at the New York
State Museum, Albany, New York; the Fenmore House Museum, American
Indian Wing, Cooperstown, New York; the Akwesasne Museum Collection,
Akwesasne Mohawk Nation, New York; the Seneca National Museum,
Salamanca, New York; the Longhouse Collection, Ganondagan State
Historical Park, Victor, New York; the Sir William Johnson Hall
Home Historical Collection, Johnstown, New York; and the Ronathahionni
Cultural Center, Cornwall Island, Ontario, Canada.
Not
unlike the pueblo pottery tradition, the clay is gathered from
river beds with prayer and offering made in gratitude for its
use. The clay is cleaned by hand with quartz and granite stones
being pulverized and used as temper. Each pot is hand coiled and
wood fired. Traditionally this genre of pottery was created for
utilitarian purposes and used for cooking and holding liquids.
The pots were hung over fires taking advantage of the pottery's
shape and also rounded at the bottom which allowed for even heat
dispersal as well as maintaining vertical position when used on
an incline such as a hill or mountainside. The decorative incising
is without a doubt aesthetically pleasing but it also serves to
create friction and a more secure grip when lifting the pottery.
Designs were also used to recognize clan and village possessions.
 The
pot at right perhaps best presents the authentic image of woodlands
pottery as it existed centuries ago. One would expect to catch
the sent of the smoldering hardwood fire of from this pot was
born. This pottery was one of the many tools essential for the
survival of a people who called the American wilderness their
home. There is a deep beauty in its primitive and essential purity
and one could easily wonder, perhaps visualize, the people who
lived their lives around the fire where this pot was used to sustain
the lives of men, women and children hundreds of years ago. It
measures 11 inches tall by 6.5 inches wide. Your
price $495 ~ Item #MP245. Please
click here to see an enlargement. SOLD
The
evolution of Woodland pottery reached its peal in the late 15th
and early 16th centuries when the Mohawk population reached its
pinnacle. Thereafter, with the introduction of European trade
goods and foreign diseases, the traditional society of the Mohawk
Nation began to disappear with half of the population succumbing
to Smallpox epidemics over a tragically brief period of time.
More
information on this genre of pottery and life for the woodland
tribes can be found on the Native
Tech Website.
Place
your cursor on a picture to see a second image. |